Plastic Man in color, plus The Sad Case of the Missing Credits

I’ve mentioned a couple of times how much I’m looking forward to Hilary Barta’s covers for Convergence: Plastic Man and the Freedom Fighters, and thanks to the artist we got a couple of sneak peeks at what readers could expect when the title is released in April. But now that that the solicitations are up on the DC website, we finally get to see the full-color version for the first issue.

PlasticMan_FreedomFighters1_ColorCover

That is one explosive image! (Pun intended – I apologize for nothing.) It’s a dynamic drawing, and the colors really help Plas and his Nazi-punching pals from the Freedom Fighters jump off the page … even though the solicitation makes it sound as if the heroes might be teaming up with history’s biggest villains.

STARRING HEROES FROM CRISIS ON INFINITE EARTHS! You have to see this story to believe it! Plastic Man and the Freedom Fighters are on the gallows in a New York City taken over by Nazis, when robot super heroes attack from Futures End and enemies become allies.

Like most things, that could be completely awesome or utterly terrible. I’m curious to see where writer Simon Oliver takes it. While we’re on the topic of covers, let’s talk about that Chip Kidd variant.

PlasticMan_FreedomFighters_ChipKiddVariant

Pretty cool, right? I’m a fan of Kidd’s design work, and not surprisingly I think what he did for Jack Cole and Plastic Man: Forms Stretched to Their Limits is among his best. Unfortunately, while I love his variant cover, I hate the fact that the solicitation only mentions his contribution and not the original artist — who in this case is iconic Plastic Man artist Ramona Fradon.

Let me make it clear: I don’t blame Chip Kidd for this. I’m sure if it was up to him he’d gladly give credit where it’s due; he is, after all, an artist himself. Instead this seems like the sadly familiar circumstance of DC Comics overlooking the creators who have, and continue to, provide them with content. (You might’ve noticed, for example, that I didn’t mention who did the coloring for the Barta cover; that’s because DC didn’t actually list it). I can only hope that Fradon is mentioned somewhere in the book’s credits, just as I hope all of the original artists are credited. DC might not see it as the obvious thing to do, but it would be the right thing to do.

But just in case: The image above is from Plastic Man #17 (vol. 2), written by John Albano, with art by Ramona Fradon and inks by Bob Smith. The colorist, unfortunately, was not included in the original credits.

For what it’s worth, I admire (as always) Kidd’s eye for imagery. When choosing from the artists who have depicted Plastic Man in the past, he could hardly have done better than Ramona Fradon, and I’ll be keeping an eye out for this variant in my local shop.

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